Free PDF The Who & The What: A Play, by Ayad Akhtar
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The Who & The What: A Play, by Ayad Akhtar
Free PDF The Who & The What: A Play, by Ayad Akhtar
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Review
"Crackles with intelligence and behavioral truth.... Akhtar is so eminently gifted in writing scenes that quake with powerful emotion.... The moments of strife, both religious and romantic, are frighteningly believable."―Charles McNulty, Los Angeles Times"At its fiercest...THE WHO AND THE WHAT bares some of the same teeth as [Akhtar's] riveting, 2013 Pulitzer-copping Disgraced.... Akhtar's who and what are potent."―Bob Verini, Variety"A thought-provoking work, one that smashes together references to Big Love and David Letterman with quotes from the Prophet Muhammad and academic arguments about gender politics.... Akhtar [is] one of theater's most vibrant, exciting young writers."―Mark Kennedy, Associated Press"Like Zarina's messy, impassioned book, THE WHO AND THE WHAT stirs the pot in unexpectedly dramatic ways."―Jason Clark, Entertainment Weekly"Matters of faith and family, gender and culture are stirred together into a fiery-flavored stew in THE WHO AND THE WHAT, the probing new play by Ayad Akhtar.... [that] explores intergenerational and interfaith conflicts with fluid eloquence and intelligence. Mr. Akhtar writes dialogue that, while often funny and always natural, crackles with ideas and continually reveals undercurrents of tension that ratchet up the emotional stakes."―Charles Isherwood, New York Times"Akhtar-winner of the 2013 Pulitzer Prize in drama for Disgraced-has crafted a story that's dense with intertwined desires, frustrations, expectations and resentments.... A heady exploration of how one's hoped-for path in life can crash against the ramparts of family and society... [THE WHO AND THE WHAT] helps lift a veil on a spiritual tradition that's little-portrayed on American stages. The 'what' of this ambitious play could just about fill a book by itself; the 'who' at its heart is one lively, vibrant and questioning voice."―James Hebert, San Diego Union-Tribune"An interesting, sometimes riveting, take on patriarchy, loyalty and religious purity.... The dialogue is sharp and occasionally singeing."―Josh Baxt, CultureVulture"Funny and...moving."―Mike Fischer, Sunday Journal Sentinal"Gutsy and very admirable.... Not a script to miss."―Chris Jones, Chicago Tribune
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About the Author
Ayad Akhtar is an American-born, first generation Pakistani-American from Milwaukee, Wisconsin. A Pulitzer prize-winning playwright, he holds degrees in Theater from Brown University and in Directing from the Graduate Film Program at Columbia University, where he won multiple awards for his work. He is the author of a novel, American Dervish, and numerous screenplays and was star and co-writer of The War Within, which premiered at the 2005 Toronto Film Festival and was nominated for an Independent Spirit Award for Best Screenplay and an International Press Academy Satellite Award for Best Picture - Drama.
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Product details
Paperback: 128 pages
Publisher: Back Bay Books (October 7, 2014)
Language: English
ISBN-10: 0316324493
ISBN-13: 978-0316324496
Product Dimensions:
5.5 x 0.4 x 5.2 inches
Shipping Weight: 4.2 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#410,488 in Books (See Top 100 in Books)
Ayad Akhtar is an American of Pakistani descent who burst onto the scene in 2012 with "Disgraced" (2013 Pulitzer Prize in Drama), "The Invisible Hand" (2nd play), and "American Dervish" (his first novel). He was born in NYC and raised in Wisconsin. In an interview that appears at the end of this book, he credits a high school English teacher with changing his life by getting him to think about the deepest questions of life.In his work, he continually addresses what it is like to be a Muslim in America.In "The Who and the What," (his third play), the story involves four characters - Zarina (32 - F) and Mahwish (25 - F), their father Afzal (60 - M), and Eli (30 - M). Mr. Akhtar took the introductory concept from Shakespeare's "The Taming of the Shrew" and applied to a Muslim American family in Atlanta in the present day (2014). Mahwish wants to get married to her long time boyfriend but can't until Zarina gets married. Zarina was in love with a white Christian but cut it off when her father told her to. She is grieving the relationship by holing up in the family home and cooking, cleaning and writing a book that she doesn't discuss. Afzal finds Eli as a potential mate for his daughter. Afzal is quite the character - he is warm and funny but also deeply conservative and patriarchal. The issues of filial obligation, generational conflict, the old world vs. the new, religious devotion, and love all play out over 10 scenes. "Disgraced" is a tragedy. This play exists in a different genre.As in his other work, Mr. Akhtar does not have any pointless words or frivolous scenes - everything utterance has a purpose. I saw this performed at the Huntington Theater in Boston in April of 2017 and then read it a two weeks later. It is quite clear that Mr. Akhtar is already a master playwright, and that he will likely win several more awards over the next few decades.
With this play, "The Who And The What," Pulitzer Prize winning author, Ayad Akhtar, continues to dig deeply into his own heritage as a Pakistani-American born into a Muslim family. As he has done with his play "Disgraced," and his novel, "American Dervish," he has created characters who wrestle with issues of identity. This grappling mirrors the wrestling that Mr. Akhtar himself has engaged in regarding complex questions of how to maintain his embrace of his cultural heritage while questioning many of the theological and social tenets of his family's Muslim faith.In this play, Zarina is writing a novel which examines the Prophet Mohamed's marriages, and the origin of women wearing the hijab - the veil. Her traditional father and sister are shocked by her lack of devotion to the accepted hagiographic image of the Prophet. There is plenty of conflict to be fleshed out as Zarina's questioning voice places a strain on her devotion to her faith and to her family.
This is a play, a stage drama, by the author of "Disgraced" which won a Pulitzer a few years back. This is as good. I have seen both plays, in Boston, and was spellbound. These are real people, living lives we can sympathize/empathize with. It is emotionally honest. Akhbar has an exquisite ear for dialogue.
Absolutely love Ayad Akhtar. Went to see Disgraced at the Lyceem theatre in NYC. Love American Dervish so I bought this one. A lot of great themes on females in Islam. Good read.
Bought it for a class on Muslim Lit, loved it.
Loved this! The story is great and the writing style is unique and fresh.
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